Does ‘bad acting’ matter?
I love Farscape. It’s a relatively well made Sci-fi show (you can only do so much with a shoestring) with memorable characters whose greed/fears drive an epic narrative. The characters are memorable and diverse in their motivations, appearances and quirks. All that being said, apart from maybe Ben Browder (John Crichton) all the actors are bad. The guest actors are frequently really bad. Again there are exceptions like Wayne Pygram (Scorpius), but for the most part the acting in this beloved cult show is either stale or comically over the top.
Yet the show is still very enthralling and held in high esteem. (I’d recommend the AV Club‘s reviews for an incisive look at the show.) Farscape is not the only much loved/critically esteemed show with terrible acting. The most classic of Sci-Fi shows is Star Trek, wherein the best actor is Leonard Nimoy and Spock doesn’t exactly require a great range of emotions.
Weekly soap operas all contain horrendous acting that the medium actually lends itself to as well as embracing. Admittedly East Enders is not a critical darling, but it is popular all the same and not due to irony. I am talking here about properties that are compelling in spite of bad acting, not because of it. Hilariously bad acting is obviously wonderful, but in a very different way… This phenomena is not limited to a few TV shows. Many great film classics have some/lots of terrible acting; Star Wars, The Matrix, Rocky, Lord of the Rings and so on. Now arguably many of these films are good because of other stronger aspects; the epic journey and battles in Star Wars, the philosophies and kung-fu of The Matrix, the underdog appeal of Rocky and pretty much all the world building detail about Lord of the Rings.
However I’d argue that these films all have memorable characters, and not because they’re awful. Who hasn’t heard of Luke Skywalker? Only slightly fewer people will have heard of Neo and Trinity. Rocky and Adrian’s struggles are also world renowned. Again the same is true of Frodo and Sam.

I get that it’s a bit unhelpful to make jokes about their close friendship resembling a gay love story, but dammit they’re so right for each other.
The fact is when you break it down these characters are memorable for more than just the quality of the film as a whole. All their enduring popularity is in spite of acting inability. So does ‘bad acting’ matter? No! But also yes…but basically just sometimes. You couldn’t really have a slow moving, subtle and restrained character drama with Arnold Schwarzenegger at the helm. Nuance and grace and the detailed but varied ugliness of human beings is often a requirement in TV and cinema, but it is not the most important thing to a space opera.

Admittedly they could just film his real life as an egotistical gropey pervert and it’d show plenty of ugliness, there wouldn’t be much nuance or grace though…
To those who really don’t agree with me even at this point ask yourself a few questions; have you ever enjoyed a horror film? Were you scared for the characters? Was the acting any good? Admittedly this test isn’t gonna be great for hardcore horror fans who don’t experience fear, they don’t watch the films to be scared anyway and they’ll already be on board with my larger point.
And my larger point is that strong and definable characteristics are the most important thing for your leads, not acting skill, because great acting will be less than likely to endure the ravages of time.* This all brings me back to Farscape and the character of Rygel. He is selfish, egotistical, manipulative, brave when angry but usually a cowardly thief and occasional murderer. He’s also a cheap puppet with terrible lip syncing. Yet again, in spite of all of this you believe in him and even fear for him when he is attacked, even if it is obvious it is a man in dodgy alien make up swinging a immobile rubber stunt puppet into a wall.
*Side Note: What is considered ‘good’ and ‘bad’ acting tends to be fluid and changes every decade as well as with every different culture. So eventually all actors are gonna suck.
A strong (or unique) story can redeem most anything. Unlike something like reality tv or network garbage like the slap, an all star cast with free weed and needless boobage couldnt save it.
Farscape was an Australian overdose with a lot of poor acting, however browder and whoever did scorpius really standing out as the quality there. Yet its story, with a few episodes so poorly shoved in to be skipped on rewatches, was so remarkable it would be amazing if performed by big bird and cookie monster feinging chinese accents.
Its that good. So acting matters more like a new layer of paint hides the fact the house is made of good intentions and cotton candy. But if its well structured, it will still stand even if you glam over it with puke and nail polish.
Story matters, Farscape hit a gland slam. Props to Scorpius, the strongest part of the weakest link. Not a Browder fan as he has mostly done low budget horror/campy at best films but he was perfect as JC.
Its hard to judge actors though when on such a strong support. If Farscape was Stargate or something that didn’t tickle my fancy, I would be shit slinging them. Very hard to see the bad in something so structurally wonderful. Also very hard to see the good in something based off fluff.
Farscape was the little engine that could and did. A miracle,a memorable, unique wonderful little thing that just happened. You can slice it and say bah too much australians,too much puppets, too much that. But unique to itself at the end of the day you love it or hate it. I love it, and you shouldnt dissect the things you love 🙂
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